If I’m out with my fella and he does a double-take, I don’t have to look around to confirm my suspicions. I can tell by the goofy look on his face that he’s spotted a dog. It’s like he has a special dog-radar. If one is in the vicinity – even crouched down in a car or hiding under a bush – he’ll spot it. I am regularly reminded that the only thing he loves more than dogs is me. It’s true that if the house was on fire and it was me or the dog, he’d rescue me first, but, you can guarantee, he’d then risk his life to go back in and rescue the dog. That’s the kind of dog-loving fella he is.
We reached the grand milestone of four years together yesterday. I completely forgot, until he turned up at the studio with two bunches of flowers. That wouldn’t have been so bad if I hadn’t forgotten Valentine’s Day as well. To be precise, I forgot to get him anything, while he surprised me with three lovely presents from a gift shop in town, and a dinner at the local pub.

To make amends, I bought him a belated gift. For future refence: an after-the-fact Amazon gift that you also bought two Valentines ago is bad! Luckily it was a Star Wars t-shirt, which seemed to soften the blow. The upshot is, he’s completely amazing when it comes to rescuing and romance, and I should live on my own with a cat.
I wish I could say that I’ve made great progress on the green paintings. But the truth is, I’ve mixed a bit of paint here and there, producing greens I neither like nor want to use, and that’s about it. Instead, I’ve been spending most of my time on the Ann painting, and I’m not even sorry. The home-stretch of a painting like Ann is an unmitigated pleasure, and I am savouring every moment. I was secretly hoping to have it finished before I go to London next week. But even if I worked on it all day and night, it still wouldn’t be finished. Besides, it would be reckless to try and rush it at this stage, as that is how mistakes are made.
As pleasurable as painting Ann is, it is also really nerve wracking, especially at this late stage. There’s no fixing a delicate, pristine painting like this, so damaging it is some way would be heart-breaking, not just because of the labour involved, but for the painting itself. Like a mother hen, I think all my chicks are beautiful, but Ann, she is beautiful and then some.