I have called some unique places home – a Kombi van, a disused ugg boot factory, a broom closet in a rundown theatre – but nothing compares to the one-of-kind magnificence of Anam Cara. I am utterly in love with this place and would gladly sell my soul for it. Unfortunately, no one’s in the market for a slightly jaded, long in the tooth ephemeral essence, so I won’t be possessing it anytime soon. Not that anyone can really possess a place like Anam Cara, it belongs to the sea, and the sea is coming for it. That’s what makes it such a beguiling place to live, its fragility in the face of the big blue wobbly thing.
Although I’d dearly like to stay here until I’m a little old-biddy without a tooth or sensible thought in my head (or until the wobbly thing is lapping at the front door, whichever comes first), it doesn’t belong to me, so I have to content myself with my apportioned time, which I’m thrilled to report has been extended for another year. That my apportioned time has coincided with doing my masters is a remarkable confluence of my heart’s desire, and I can’t ask for better than that!
It’s been a productive week in the studio. I finally started drawing figures, and discovered that the best time to draw them is when I am talking to my dearest friend, Lauren, in Australia.
These little figure-drawing exercises are very handy to do, as they get you used to human proportions and where to put everything to convey a given stance. It’s only now that I’ve uploaded them that I’ve realised that the middle picture looks a little risqué, that was completely unintentional…honest.
I also managed a figure painting this week. I particularly like the stance, which was referenced from a fashion model picture I found. It’s not perfect, but I like most of it enough to not meddle with it. It’s a good start, and gives me hope that if I keep practicing my figures over the summer, I’ll likely have some really good paintings at the end of it.
bexODESSA 