My fella went to Seattle and all he bought back was a fridge magnet and covid!

I’d like to say that I am faithfully nursing him back to health, but when he tested positive, I fled his house lickety-split and came back to the virus-free salt-air of Anam Cara. I did manage to buy him some Vicks VapoRub before fleeing, so I didn’t totally abandon my fiancรฉe duties.

So now I am hold-up in the studio, waiting to see if I too have the dreaded lurgy. I did wake up with a sniffle this morning, but that might have been due to getting caught in a storm last night while romping around the Ayres. It was all fun and games on the way up there, with a tail wind and all, but I got battered on the way back, and was drenched by the time I got home.

Before my fella went to Seattle, we had the great pleasure of filming Hampton Creer for the Ann documentary. Hampton wrote the book “Never to Return”, about the Manx involvement in the penal Transportation system, which is where I first came across Ann’s story. It was wonderful to see him again, and listen to all his stories. He is so knowledgeable, not just about Transportation, but about Manx history in general. I could listen to him for hours.

I am pleased to say, I finally have a name for the Ann painting, Anileis – which is a Greek word meaning merciless. Not only is it very fitting in its meaning, it is also a beautiful sounding word, and when you say it, it sounds like the words Annie + lace together, which makes it the perfect title for the painting.

Here is a write-up about Anileis, that explains what the painting is about.

While I’ve been hold-up at Anam Cara, waiting to see if I too get Covid, I have been having a wonderful, undisturbed time painting away and enjoying my new satellite internet. What a difference it makes! Instead of waiting an hour or so for things to upload, it happens in an instant. This should definitely make my second year at art school easier.

Speaking of which, my second year starts in one week. I am looking forward to seeing everyone again, but am slightly terrified with how quickly the first year flew by and how much work I have yet to do on my research project. I have pretty much figured out what direction I am going in, which I did while on my long walks to the Point of Ayre this summer. It’s a wild, visually stunning landscape, which makes it perfect for thinking through creative projects.

I am not quite ready to share exactly what I have in mind, but here are a couple of the experiments I did this week for one of the paintings. One thing I have noticed since retuning to painting after drawing all summer, is how much my drawing has improved.


Well, it appears I didn’t flee my fella’s house soon enough, as I too have tested positive for Covid. Luckily, I haven’t got the nobody’s-ever-been-this-sick-and-lived man variety like my fella, just mild lady-Covid. Still, it’s early days, so I shouldn’t be too smug. One good thing is, I can now hang out with my fella, us both being diseased and all, that’s if he is able to prize himself out of his sick bed.

Lane & Mabel

This was my last week of the Anam Cara School of Drawing. To wrap up the experience, I drew a series of illustrations I’ve called “Lane & Mabel”. I think they are adorable, especially wee Mabel, and if I was going to pursue illustration, I think this is the direction I would go in. For now, though, I want to use my drawing for the paintings I have in mind for my CSM research project. I realise I am limited in my abilities and am by no means an excellent drawer. But I have learnt a lot in the past 3 months, and am nearing proficiency in some aspects of drawing, which I hope, when paired with my other artistic skills, will result in some effective paintings. Three wonderful things came out of my self-imposed drawing school.

  1. An increase in my drawing skills.
  2. The realisation that when it comes to drawing, the learning never stops.
  3. I now enjoy drawing.

I give you Lane & Mabel:

The driving lesson

Last week I had a driving lesson with my fellaโ€™s Pa, Mick. I actually got my licence when I was 18, back home in New Zealand, but made the monumentally stupid, inconvenient, and very expensive mistake of not getting it changed to a Manx licence within the first year of moving here, so I have to sit it again. Before my fella came along, I wandered the streets with my trusty, old-lady shopping trolley, and thought Iโ€™d shuffle around like that till I eventually shuffled off. But taking up with my fella altered the trajectory of my life (which looked set to include said trolley and several cats) and inspired me to big-pant-up and get my licence.

Before having lessons with Mick, my fella would take me driving. It soon became apparent however, that he was unable to iron out my bad habits, one of which was not listening to him, and the second, gesticulating at errant drivers. There was only one thing for it, heโ€™d have to bring in the big gun, his Pa. So it was, I set off with Mick for the big smoke, under strict instructions to do what I was told, and keep my hands on the steering wheel when other drivers failed to abide by the road rules (which of course are fresh in my mind having recently passed my theory test), or, if I really couldnโ€™t help myself, I could wave.

Mick and I had a great time. He kept me entertained with plant-hire and traffic-management stories, and I managed not to kill us. Most of the lesson went well, except for the tricks (i.e., reverse parking and emergency stop, both of which I messed up), and we were nearing the end of proceedings, when suddenly, the steering wheel seized as we were going around a roundabout. Technically the power-steering switched off, but it was such a marked difference I thought it had seized. Anyway, long story short, the car broke down and we had to be towed back to Ramsey. It was great fun riding in the big tow truck, and all in all it turned out to be the best driving lesson I have ever had.

The week in the studio was productive as usual, with lots of cats (including some naughty ones), which I am now thoroughly sick of drawing. I am going to be winding up my drawing school over the next few weeks, ready for my return to painting and resumption of my course in October. Itโ€™s been invaluable to take this time out of my usual studio activities, and I am excited to see what improving my drawing skills will bring to my painting.

Another thing I worked on was a collage. It is based on one I did some time ago called Ellan Vannin. I had the presence of mind at the time to scan the individual sections, which I was able to print, recut, and reassemble. This has allowed me not only to make it bigger, but also make it in such a way that it can be suspended away from the wall. I am really pleased with the results so far, and will continue to tweak it over the coming weeks.

I have more photos of the the results, but my internet is so painfully slow, one will have to do.

Raining cats and cats

I had great fun in the studio this week, mostly because I started drawing cats. I adore cats, and drawing them makes me feel all warm and fuzzy inside. I also had an idea for my drawing.

At the end of the summer, when I go back to painting, I want to keep up my drawing practice by spending an hour or so of my morning studio session drawing. My idea is to draw an anthropomorphised cat each morning, and then post it to an Instagram account I have created called “If Cats Had Hands” (@ifcatshadhands). I am not sure what will become of it, but at the very least it will create some parameters within which I can improve and practice my drawing skills, plus, I’ve no doubt it will be a lot of fun.

Here are some of my first cat drawings.

I had my first ever Open Studio this weekend. I was very nervous about it, but I needn’t have been, as it was a wonderful experience. My fella hung some of my paintings, old and new, many of which he owns. He’d tell you I fleeced him, but I contend I was helping him out by setting a high value for my work. It was lovely to see so many pieces together, and they looked great in my white-walled studio. We had a steady stream of people over the two days – never too few that it was boring, and never too many that I wasn’t able to have a conversation with all who traipsed out all this way (in Isle of Man distance terms, I live on the other side of the world). Everyone was very gracious about my work, and I really enjoyed the conversations I had, and appreciated the generous feedback they gave me.

My fella was amazing throughout, and spent most of the time in the kitchen, making cups of tea and baking scones. He doesn’t do things by halves, for which a task done to excess is described has having been “Geoffed”. This proved true when he offered to buy some biscuits for our visitors. This is what was left at the end of the weekend!

He did the deed!

My fella has exceptional taste. Although my brother would argue this does not include women, it is most certainly true when it comes to jewellery. So much so, that when he popped the question last week, while proffering a bedazzling spectacle in a little grey box, instead of answering the question, I replied with a wide-eyed gasp “Is that for me?!”

So it is that me and my true love are now engaged, and I am the proud wearer of an exquisite sapphire and diamond ring that is like toting around the sea and stars on my finger. To be honest, he could’ve given me a ring made out of a pewter spoon (as his will likely be if I don’t start selling my paintings to someone other than him), because he is the smartest, funniest, kindest man I ever did meet. Plus, he knows all my secrets, so I better keep him close.

The past two weeks in the studio have been very productive. I am still attending my self-imposed drawing school, and am turning out illustrations by the many 10s. My favourite thing to draw are people I know (mostly my fella and my mum and dad). I like the naturalness of the poses and capturing little moments.

They aren’t portraits as such, and don’t always look like the person I am drawing. This is especially true when I began drawing them with bird heads. I really like the results and had a lot of fun drawing them.

Next weekend I have a Open Studio here at Anam Cara as part of the Isle of Man Art Festival. I’ll be showing old work and new, including the large Ann painting. I am really looking forward to it, especially spending time with the folk that venture all this way out in the woop woops. There’ll be cups of tea and my fella’s scones for those who make the trek.

Geoff Chooseday

After going out for 41/2 years, it suddenly dawned on my fella and I that in all that time we haven’t spent a day together where he’s chosen the day’s activities. This isn’t by fiat, rather a default position that goes something like this.

Me: What do you fancy doing today?

Fella: Whatever you fancy.

Me: Ok, lets go to a cemetery, stop off at a bog (as in sodden peat-rich ground, not loo), and visit a magic well.

Fella: Sure thing Kiwi Fruit (note how he separates the words).

This meant only one thing. It was high time for Geoff Chooseday. And what, with his new found power, did he choose? Not being waited on hand and foot and a Star Wars marathon (as I suspected). No, he chose making me breakfast (a nomelette to be precise, which is an extra tasty omelette), trimming the hedge (with me helping), and hosting a barbeque for our respective parents. He made a lot of people happy with his choosing, not just himself, cause that’s the kind of fella he is. Sure, it was no well visit, but our hedge looks amazing!

I had another enjoyable and productive week in the studio. This week I focused on drawing people sitting (a few examples below). I also bought some new watercolour paints (I use a Japanese brand called Kuretake), so was able to change the palette. The new paints are a range of blacks, which give the various colours a lovely muted tone, as seen the last 5 images. The paper I am using at this stage is just cartridge, hence why the paint looks a bit streaky. Still, it’s a lovely treat to add a bit of colour to the drawings, and it gives me my painting fix.

Small drawings, big plans

After 3 frustrating weeks at my self-imposed drawing school, I finally turned a corner this week. Not only am I enjoying drawing, but I am starting to like the results. A few changes helped facilitate my new found enjoyment.

  1. I switched from pencil to pen, which means no more fussing about lines, and rubbing out the ones I don’t like. Once a line is down, that’s it, I have to live with it. This alone makes drawing more relaxing and enjoyable, plus, I think errant lines add to the character of a drawing.
  2. I switched from using other people’s sketches as a reference to using photographs. While using sketches is a great place to start (as you can see where to put individual lines), there’s no satisfaction in the result, because the drawing is not really yours.
  3. Once I began drawing from photographs I was able to start drawing friends and family, which makes me very happy.

One of the people I love to draw the most is my mum, I think because her lovely personality comes out in the drawings.

Of all the drawings I did this week, my favourite is of my fella when he won the Isle of Man Field Archery Championship. Sure I made him 6’3″, but I think I did a pretty good job nonetheless.

Since my corner-turn, I can’t stop drawing. All my sketch pads are filling up, and when I walk down the street, I keep seeing people I’d like to draw. It’s such a relief that I actually enjoy drawing, as well as show some aptitude for it, as it would be impossible to make the paintings I have in mind without it. I have big plans for my drawing, so I still have a long way to go, but the progress I made this week makes me hopeful. Of course, the biggest win is that I enjoy it.

I have a new passion…bogs!

Not only have I developed a passion for bogs, I have also discovered the limit of my fella’s ability to enthusiastically support the things I love. That limit is bogs. That’s not to say he wasn’t prepared to watch an hour long documentary about them or drive me round the north looking for one I had read about, rather, there was a distinct lack of enthusiasm in doing so.

Having said that, there was one bog-related thing I showed him that he thought was pretty cool, and that is the Irish tradition of bog-jumping.

Bogs were important ritual sites in pagan Europe, and there’s many examples of sacrificial victims being deposited in them, to propitiate the gods in some sort of Spring ritual. Over 2,000 bog-bodies have been found to date, that’s because bogs are anaerobic (lacking oxygen), so the bodies are preserved, some remarkably so. I hope you’re not eating breakfast…

This poor fellow, known as the Tullond Man, suffered a triple death. A ritualised way of killing a person 3 times, which, if nothing else, would ensure the job was done. Personally, I’d rather end up a skeleton, than a shrivelled piece of old leather, so I won’t be opting for a bog interment. There’s many other fascinating things about bogs, but I’ll take the glazed look in my fella’s eyes when I mention them as a cue not to subject anyone else to my bog-trivia.

I continued drawing this week, mostly people, and although I’m not having the best fun in the studio, it is getting slightly easier each day.

I also painted here and there, though mostly just testing different techniques, rather than painting a whole picture. As with the previous week, I have been developing a lace-like water technique, with varying degrees of success. Here’s a couple from this week that I quite like. I particularly like the see-through effect.

Also, inspired by the bogs, I have added brown to my palette. Although I haven’t done much with it so far (as I have been concentrating on drawing), I really like it and think it will be a great addition.

It’s official, I’m a bird-bore with a rock collection!

That’s the conclusion my fella reached after I sent him the 5th video of my family of choughs (Kylie & Jason and their kids, Harold and Izzy) sitting on the foghorn. To be fair, they are freaking adorable – just look at Harold and Izzy peeping over the edge!

I also sent him several photos depicting different angles of my latest beach-rock find, which, according to a local expert (that expert being our friend Debbie, who likes a rock or two), is actually a fossil.

Isn’t it a beauty! I was beyond thrilled when I found it. I absolutely love spirals, and this one is glorious. The fact that it came from the sea makes it even more special. The spiral is the Celtic symbol for the sea, and I can’t help thinking if a local Celt had been walking on Cranstal beach 3000 years ago, and found this same rock, they would’ve been just as thrilled as me, and probably would’ve picked it up and taken it home too. And who knows, they may have even thought it held special meaning (as I also do), if not magical powers (a bridge to far for me, though you never know).

It had to happen sooner or later, I’m back on the Weight Watchers. Rock bottom this time was yesterday’s breakfast.

I spent most of my studio hours this week drawing. I don’t enjoy drawing as much as a I do painting, but not drawing limits what you can paint, so I am trusting the effort will be worth it. I mostly drew people, my favourite of which were a bunch of old ladies, a man-baby, and some buxom women who are perhaps not averse to cake and ice cream for breakfast either.

As a treat, I resumed painting this weekend, developing the lace-like technique I want to use in the paintings for my course project. I was happy with the results, and really enjoyed the process.

It’s a renter’s life for me!

I have called some unique places home – a Kombi van, a disused ugg boot factory, a broom closet in a rundown theatre – but nothing compares to the one-of-kind magnificence of Anam Cara. I am utterly in love with this place and would gladly sell my soul for it. Unfortunately, no one’s in the market for a slightly jaded, long in the tooth ephemeral essence, so I won’t be possessing it anytime soon. Not that anyone can really possess a place like Anam Cara, it belongs to the sea, and the sea is coming for it. That’s what makes it such a beguiling place to live, its fragility in the face of the big blue wobbly thing.

Although I’d dearly like to stay here until I’m a little old-biddy without a tooth or sensible thought in my head (or until the wobbly thing is lapping at the front door, whichever comes first), it doesn’t belong to me, so I have to content myself with my apportioned time, which I’m thrilled to report has been extended for another year. That my apportioned time has coincided with doing my masters is a remarkable confluence of my heart’s desire, and I can’t ask for better than that!

It’s been a productive week in the studio. I finally started drawing figures, and discovered that the best time to draw them is when I am talking to my dearest friend, Lauren, in Australia.

These little figure-drawing exercises are very handy to do, as they get you used to human proportions and where to put everything to convey a given stance. It’s only now that I’ve uploaded them that I’ve realised that the middle picture looks a little risquรฉ, that was completely unintentional…honest.

I also managed a figure painting this week. I particularly like the stance, which was referenced from a fashion model picture I found. It’s not perfect, but I like most of it enough to not meddle with it. It’s a good start, and gives me hope that if I keep practicing my figures over the summer, I’ll likely have some really good paintings at the end of it.