Summer – week 12 experiments

This was my last week of the Anam Cara School of Drawing. To wrap up the experience, I drew a series of illustrations I’ve called “Lane & Mabel”. I think they are utterly adorable, especially wee Mabel, and if I was going to pursue illustration, I think this is the direction I would go in. For now, though, I want to use my drawing for the paintings I have in mind for my CSM research project. I realise I am limited in my abilities and am by no means an excellent drawer. But I have learnt a lot in the past 3 months, and am nearing proficiency in some aspects of drawing, which I hope, when paired with my other artistic skills, will result in some effective paintings. Three wonderful things came out of my self-imposed drawing school.

An increase in my drawing skills.

The realisation that when it comes to drawing, the learning never stops.

I now enjoy drawing.

Anyway, enough waffling. I give you Lane & Mabel:

Summer – week 11 experiments

I had another week of drawing cats with hands, and now I am thoroughly sick of them. I don’t think I’ll be drawing any more in this style. However, drawing them has been invaluable, and has taught me a lot, and helped me develop my own style. What has been most surprising is the enjoyment I get from illustration.

Anyway, here are my last offering of this style of cats (I actually drew heaps more, but this six have taken me 1/2hour to upload because the internet out here is completely rubbish – more so than usual – so this six will have to do).

Another thing I worked on was a collage, which I have submitted for an exhibtion open-call. It is based on one i did some time ago called Ellan Vannin. I had the presence of mind at the time to scan the individual sections, which I was able to print, recut, and reassemble. This has allowed me not only to make it bigger, but also make it in such a way that it can be suspended away from the wall. I am really pleased with the results so far, and will continue to tweak it over the coming weeks. Again, I have more photos, but can’t upload them, so one will have to do.

Summer – week 10 experiments

I had abysmal internet all last week which is why this is getting posted late.

I drew tons of cats again, and have been posting one a day on @ifcatshadhands

Here are a few I did earlier in the week.

By the middle of the week I was kind of sick of them. I was unhappy with the hands, so I started drawing them first, and they greatly improved (though I clearly need to work on fists). It’s still hit and miss whether I like the finished result or not. I may eventually abandon the project, but for now I’m still getting valuable drawing practice from it.

Summer – week 9 experiments

I had a really fun week in the studio this week, mostly because I started drawing cats. I adore cats, and drawing them makes me feel all warm and fuzzy inside. I also had an idea for my drawing.

At the end of the summer, when I go back to painting, I want to keep up my drawing practice by spending an hour or so of my morning studio session drawing. My idea is to draw an anthropomorphised cat each morning, and then post it to an Instagram account I have created called “If Cats Had Hands” (@ifcatshadhands). I am not sure what will become of it, but at the very least it will create some parameters within which I can improve and practice my drawing skills, plus, I’ve no doubt it will be a lot of fun.

Here are my first cat drawings.

Summer – week 8 experiments

This week was all about birds. I love hybrid animal/people, and I like using them in my paintings. So I thought I’d add bird heads to the figures I’ve been drawing. I really enjoyed drawing/painting them. Birds are wonderful creatures, and come in a vast variety. I really like the results and think they make great stand alone illustrations.

Summer – week 7 experiments

I feel like I went round in circles this week, and although I got a few good drawings out of it, I seem to have lost the thread of the of what I’m aiming for, especially how the drawings I am doing relate to the paintings I have in mind.

One of the things I focused on this week was drawing things in the back/foreground of my figures. Although I am not that keen on the drawings I produced when practicing this, it is still a good skill to hone.

I also drew a few contraptions. The Heath Robinson book arrived, but I didn’t find it as inspiring as I thought I would. I then tried some steampunk-type mechanics, but this too isn’t quite right for the paintings I have in mind. What I am after is water falling through different levels, rather than contraptions per se, so I’ll keep experimenting.

The drawings I really like, and enjoying doing the most, are little character studies of my friends and family. These are maybe something I can develop further down the road, as works in their own right. For now, I feel it’s important to not get too side-tracked by this type of drawing, as it’s somewhat of a departure from the figures I have in mind for the paintings. Still, all drawing is helpful, so I might keep doing these now and then.

Summer – week 6 experiments

I had another productive week in the studio. I primarily focused on people sitting, adding bits of furniture now and then. My favourite is drawing ladies in salon chairs – I did tons of them. I also did lots of friends and family, which was a lot of fun.

Towards the end of the week I started drawing contraptions. I love a good contraption…who doesn’t! The last image is a Heath Robinson (the king of contraptions) inspired one. I bought a Heath Robison book during the week, and when it arrives, I plan to draw one of his contraptions each day, to build up my contraption-component lexicon, with the hope that I can eventually draw fabulous one’s of my own.

Summer – week 5 experiments

Sketching

I turned a corner this week with my sketching, and feel like I made real progress. The best part is, I am really enjoying drawing now. Not only is it much easier now, but I also really like the results.

The previous week I mostly drew people from behind, which is a great way to start when drawing figures. This week I started drawing people in profile and from the front, as well as people sitting. I also graduated from using other people’s sketches as a reference, to using photographs. Using sketches is a good place to start, as you can see where to put the marks. Photos are slightly harder, but the results are more original. My favourite thing is drawing friends and family.

I am aware that illustration could be a distraction at the moment, so I am being disciplined in my approach to keep moving my drawing forward, so I can use it in my figurative paintings. I’m so thrilled with my progress so far, and feel very hopeful for the paintings I have in mind.

Below are just some of the many the sketches I did this week.

Summer week 4 – experiments

Sketching

Another frustrating week in the studio. I tried to spend most of it drawing, to varying degrees of success. Though, towards the end of the week, I began doing these little pen and watercolour sketches. Using pen means your committed to the lines you make, which can lead to less fussy drawing and which I think ultimately adds character. For some reason I seem to have a knack for old ladies. they are definitely my favourite type of person to draw. I’ll keep doing these for a while.

Painting

I also did a little bit of painting; mostly developing the lace/water technique and playing around with colour. I am really loving the addition of brown, as in no.105.

Summer – week 3 experiments

Monday 3rd – Thursday 6th July – drawing

I decided to spend the week drawing – above are some of the results. These aren’t really the types of figures or faces I would have in a painting, but they are good practice. I’m trying not to get attached to the outcome of an individual drawing, but rather see them as exercises to get more fluid and confident with drawing. Hopefully, by the time I come to put figures in my paintings at the end of the summer, the drawing practice/discipline will pay off.

Friday 7th July – Sunday 9th July

I thought it would be nice to take a break from drawing for the weekend, and work on developing the lace detailing, trying different designs and techniques etc. I love no.99/100, adding the vertical lines of dots really enhances the overall design. I love this kind of painting. I’m not that keen on the more formal/balanced designs of no.98/101 (I prefer the more free-form design of No.99/100/102). Although No.102 isn’t finished yet, I like where it is going. I think this technique will be a good way to represent water underground.